OLD SCHOOL HIPHOP AND NEW SCHOOL HIPHOP

The 1980s saw intense diversification of hip hop which developed into a more complex form. As technology evolved so did the practice of looping break into breakbeats; the emergence of samplers and sequencers allowed the beats to be manipulated with greater precision and granularity and recombined in more complex new ways than was possible with vinyl alone. In 1984,Marley Marl accidentally caught a drum machine snare hit in the sampler; this innovation was vital in the development of Electro (music) and other later types of hip hop. In 1989, DJ Mark the 45 King,under the moniker DJ Mark"45 King", released "The 900 Number", a breakbeat track created by synchronizing samplers and vinyl.
The content evolved as well. The tales of 1970s MCs were replaced by highly metaphoric lyrics rapping over complex, multi-layered beats. Some rappers even became mainstream pop performers, including Kurtis Blow, whose appearance in a Sprite (soft drink) commercial.
Ministries-and-Holy-Hip-Hop-Music-form-Strategic-Alliance/made him the first hip hop musician to be considered mainstream enough to represent a major product. Another popular performer among mainstream audiences was LL Cool J,who was a success from the release of his first LP.
Hip hop was almost entirely unknown outside of the United States prior to the early 1980s. During that decade, it began its spread to every inhabited continent and became a part of the music scene in dozens of countries. In the early part of the decade,breakdancing became the first aspect of hip hop culture to reach Germany,Japan and South Africa, where the crew Black Noise established the practice before beginning to rap later in the decade. Meanwhile, recorded hip hop was released in France(Dee Nasts) 1984 ''Paname City Rappin''') and the Philippines (Dyords Javier's "Na Onseng Delight" and Vincent Dafalong's "Nunal"). In Puerto Rico, (Vico C) became the first Spanish languageSpanish rapper, and his recorded work was the beginning of what became known as reggaeton.
While early hip hop arose through the decline of funk and disco while still employing their musicianship, there was the rise of artists who employed the use of the turntable as an instrument in itself. Hip hop turntablist DJs use turntable techniques such as beat mixing/matching, scratching, and beat juggling to create a base that can be rapped over. Turntablism is generally focused more on turntable technique and less on mixing. Each scratch of the turntable is considered unique due to the complex waveforms produced and employing digital sampling is considered an affront to a true Turntablist. Prominent artists included the Invisibl Skratch Pikl(xmen)
MainWorld Hip-hop has globalized into many cultures worldwide. We now find hip-hop in every corner of the globe, and like the South Bronx, each locale embodies a kind of globalism. Hip hop has emerged globally as an arts movement with the imperative to create something fresh by using technology, speech, and the body in new ways. The music and the art continue to embrace, even celebrate, its transnational dimensions while staying true to the local cultures to which it is rooted. Hip-hop's inspiration differs depending on each culture. Still, the one thing virtually all hip hop artists worldwide have in common is that they acknowledge their debt to those Black and Latino kids in New York who launched this global movement in the first place.
As hip-hop is sometimes taken for granted by Americans, it is not so elsewhere, especially in the developing world, where it has come to represent the empowerment of the disenfranchised and a slice of the American dream. American hip-hop music has reached the cultural corridors of the globe and has been absorbed and reinvented around the world.
The globalization of hip-hop starts and ends with 'Where You're At.